среда, 27 декабря 2017 г.

My mother's stories (chapter twenty two - the ending)

My mother's stories
chapter 22 
The importance of family 
(the ending)


       I don't know why the authorities usually hid the fact that political convicts were executed. The first thing that comes to my mind is that they did it just because of refined cruelty, playing cat-and-mouse game with their victims' relatives. Yet, I understand I am wrong - there definitely were some practical reasons. It's believed now that they merely tried to conceal the real scope of political repressions. Perhaps, it's true. Somehow I can't imagine communists of high rank inventing this secrecy just to save their subordinates from the necessity of telling the truth straight to the anguished faces of numerous people. Some information, however, filtered even through the closed doors. Dark rumours were spreading around the country but people didn't want to believe them. Who knows how many poor souls continued to haunt different officials' thresholds trying to learn something reassuring about their beloved ones' fate?
        Anyway, due to this cruel policy my mother had been waiting for years for her father's return, not knowing that ”ten years without the right for correspondence” stood for a death penalty. She learnt about his destiny only at the beginning of the 1960s, at the time of so-called Hruschev's Thaw, when political prisoners, who survived Stalin's camps, started to come back, cleared of all charges. I was pretty small then but still I remember my confusion when I saw my mother crying with some papers in her hands and saying something about my grandfather. I don't think I understood her explanations at that time, but later I learnt that those papers were my grandfathers' rehabilitation documents, which declared his innocence twenty years after his execution. They put an end to my mother's hopes that her father was alive and lived somewhere with another family. It seemed possible to her because political convicts usually got ten years of deportation after their term of imprisonment.
        And indeed, one man came back to the village with a wife and two sons twenty years or so after his conviction. He was one of those, who fell under the heavy tread of the notorious Law of Three Spikelets and, funny enough, got twelve years for twelve kilos of stolen grain. His return shook all the village, though not because he managed to survive, but because of a remarkable love-story connected with him. There was a girl in the village, whom he promised to marry, but infinitely delayed their wedding. Twice she tried to marry another man and every time her light-winged lover popped up just before the wedding to break it up, swearing eagerly that he would marry her soon. Even after his arrest he continued to feed her with his oaths in his reassuring letters. And what is more, he managed to persuade her to sell her own house to take care of his sick mother. So his unexpected return with his wife and two children turned into a really tragic ending for that trustful devoted soul. Suddenly, after all those years of waiting, she found herself without a roof above her head. I remember this story seemed to me so outrageous that I felt a great relief when upon finishing it my mother began to tell me soothingly that the villagers didn't allow this to happen and made that unfaithful lover buy some hut for the poor woman in the end.
       My grandfather, however, was not so lucky as that man and in vain his daughter had been waiting for years for him. But despite all the oppression that she had to endure as “the daughter of the enemy of the people” my mother continued to cherish her recollections about him. She liked to tell me in loving detail how her father used to carry her in his arms and didn't allow her mother to beat her. Or how he used to take her to the river bank, where he put her down on the grass, and she was watching him swimming and diving in deep waters of the pool named Fishers' Pit. People usually avoided this dangerous place because two men drowned there once, but her father was fearless. He worked at the water-mill and liked to tell his little daughter about dangerous tasks of fixing something high above the ground or in some deep tight hole, which nobody volunteered to fulfill except him. No wonder her father was a real hero in my mother's eyes. He was a remarkable man in many respects. For example, he finished three classes of parish school. It was rare accomplishment for villagers of his generation. He liked reading, of course, and was always in the center of any company having a fresh joke for any occasion. Who knows maybe those funny stories about Stalin that he didn't fear to tell triggered the repressive machine to persecute him? Although it's very well known that this machine eliminated a lot of people, who didn't have even such a little fault in store.
       It would be funny if it was not so sad but my grandfather was one of the few, who really believed in bright communist future and was mocking his fellow-villagers' desperate attempts to increase their wealth. It was very stupid of them in his opinion because the time would come soon when there wouldn't be any money and everything would belong to everybody.
       So perhaps, it was my grandfather's readiness to believe in better things that ruined him in the end. He did get a warning. Some kind soul, risking their own life, sent him a note, advising not to go to the hearing but flee from the region as soon as possible. Years later I read Eugenia Ginsburg's recollections about that awful time, and she really met some people, who managed to avoid imprisonment just fleeing to another region. But she, as well as my poor grandfather, thought that her innocence was too obvious to be afraid of something. As if those ruthless investigators, who used to invent ridiculous accusations against innocent people, needed any proof. I remember my mother telling me with anguish in her voice how her father put his best suit on and went to the hearing. It was a turning point in her life but I don't think she could realize this at that moment.

          To be continued...
(c) Anna Shevchenko
25. The forest at last (the ending)